Monday, August 30, 2010
Facebook | Love Wraps - Hats and Scarves
Facebook | Love Wraps - Hats and Scarves (click here)
Check out the new season of handmade scarves and hats, and other fiber goodies from Peggy Eldridge-Love.
Saturday, August 28, 2010
Ribbon of Intonations: Peach Seeds
To say I am speechless after reading this review by Jim K. is an understatement beyond measure.
Friday, August 27, 2010
Linda Benninghoff Review of Peach Seeds by Peggy Eldridge-Love
Peach Seeds
By Peggy Eldridge Love
MiPoesias Chapbook Series
Reviewed by Linda Benninghoff
With an image, a phrase or an outline of a brief incident, Peggy Eldridge Love can capture so much about a person or place: as in “Peach Seeds,” her poem to her mother.
She didn’t like that I thought I was adopted.
She leaned her face into mine so that we
were eye to eye.
I was the worst pain she’d ever known;
Nine hours with complications…
She was no more amused when I decided
I was really the reincarnation of an English
] princess held captive
by a bevy of sixteenth century dysfunctional nuns.
The poem is rich with imagination, as when the poet imagines herself a princess, imprisoned by nuns. For the poet, imagination plays a part in forming identity, and she lets her imagination play, and it plays with words.
In “Induced Labor,” two diametrically opposed lovers are set off against each other, and the poet plays with language to sharpen and reveal this opposition.
I know you love me
and when he doesn’t I run
to your memory, my shelter
deep in the limestone covered
caves of my youth.
I know that you did
and when I remember
how callus I was with your
vulnerability I wonder of
karma’s weight.
And were I now to find y ou,
and love you, and woo you
would you no longer
love me, would I then need
to run to the cavern of
his memory, safe in knowing
he never did.
Some of the poems deal with love, either a mother’s love, or a lover’s love, but the brushstrokes are original and the imagination rich.
In “Circle of the Muse,” the poet imagines a muse hanging around to her right in Kansas City. Whose muse is it? It may be Hemingway’s: another imaginative jump in poems full of imagination.
In “Red Girl,” the poet picks a few details and subtly captures a young girl.
Red girl, we called her,
since the burst of curls, the
sprinkle of rusty highlights
that graced her cheeks
were the envy of all the shades in our
Crayola box.
Then Red Girl disappears at the end of the poem and her disappearance is unexplained, a mystery.
These poems capture mystery, the quest for identity and love, but do so in an original way, with imagery that leaps off the page and makes the chapbook “Peach Seeds” unforgettable.
Tuesday, August 24, 2010
Peggy Eldridge-Love
Reading by Peggy of her poem "Gossip" from You Beckon (page 71).
Gossip
Flat land stretches
silent, pleased to keep its
secrets, protective of the
moonless sky that will labor
with the birth; pushing up,
pushing out through the earth.
In the morning, new stones,
still damp with afterbirth,
will cry for the breast
of Mother Earth.
They are bastards,
the sun will whisper;
no mountain has spewed them,
no hills loosed them,
no accounting for their being
here where
horizon and sun
are one.
Fatherless,
the wind will echo.
Shameless,
the stars will bellow.
Silent,
the moon will stay,
knowing why it disappeared.
You Beckon 2002 Write On Writers Peggy Eldridge-Love
Saturday, August 21, 2010
MiPOesia-Chapbook Series
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Wednesday, August 04, 2010
A New Work in Clay
Photo: Clay Sculpture by Peggy Eldridge-Love
A new work I recently finished in Cernit clay, but I'm really torn as to the title I want to use for this work. Sometime the "The Crooner's Last Song" seems to fit him best, while other times it seems "Our Family Griot" feels more right! Who knows, it might even turn out to be something different.
Regardless of his name he seems at one with his world. His sense of peace and personal well-being I've come to believe is to be envied!
Peggy